简述
史地类纪录片，PBS 频道 1999 年出品，是 PBS American Experience 系列其中之一。
注: 本片共7 集加上一些花絮, 还有一片 New York: The Center of the World 可视为 New York《纽约》 本片的第8 集, 但是它的时间, 官网等讯息都与 New York《纽约》有区隔, 还是分开来看好.
封面
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New_York_cover0.jpg
影片信息
官方网站
http://www.pbs.org/wnet/newyork/
影片原始规格:
中文片名 ：纽约
中文系列名：PBS 美国印象系列
英文片名 ：New York
英文系列名：PBS American Experience
电视台 ：PBS
地区 ：美国
语言 ：英语
版本 ：DVD
发行时间 ：2001
影片内容介绍
剧情简介
Editorial Reviews
Amazon.com
If you’re a fan of Ken Burns PBS documentaries such as The Civil War and Lewis & Clark: The Journey of the Corps of Discovery, then you’ll want to add New York, produced by Ken’s brother Ric, to your collection. This exhaustively thorough documentary chronicles the evolution of the city from its time as a Dutch settlement in the early 17th century to its current status as megalopolis extraordinaire. Famous New Yorkers including Martin Scorsese, Senator Daniel Patrick Moynihan, Fran Lebowitz, Mayor Rudolph Giuliani, and former mayor Ed Koch lend their colorful local perspective. In addition, there’s commentary by numerous historians and writers, most notably Pulitzer Prize-winning Mike Wallace (not of 60 Minutes fame, but rather author of Gotham) and the late Brendan Gill, who notes the distinctly capitalist foundation of the city. As he succinctly states, “New York was based upon greed.” There’s no mistaking that this is a Burns documentary; the story is told through the now-familiar mosaic of images, interviews, music, and narrative chronicling past events. However, there are noticeable differences in the two brothers’ style. While Ken Burns tends to linger over his subject matter and personalize it, Ric is more focused on the task of recounting the events in chronological order. New York is also more upbeat, as it thankfully does not employ the tiresome, whining violin dirges of which brother Ken is so fond. You don’t have to be a fan of New York City to enjoy this PBS production. You just have to enjoy the experience of discovering history through the popular Burns documentary style. –William Carr
分集介绍
The Country and the City (1609-1825)
The series begins by identifying the key themes that shaped New York’s history: commerce and capitalism, diversity and democracy, transformation and creativity. The episode charts the development of the city founded by the Dutch as a purely commercial enterprise, first as New Amsterdam, a freewheeling enclave of trade and opportunity; then as the British New York, a colony fueled by slavery which was bestowed as a birthday gift upon the Duke of York by his brother, King Charles; soon after as a strategically pivotal locale in the American Revolution; and ultimately as the city of New York: the nation’s first capital and the place destined to define urban life in America – and American ideals.
Order and Disorder (1825-1865)
Already established as America’s premier port, New York City swelled into the nation’s greatest industrial metropolis as a massive wave of German and Irish immigration turned the city into one of the world’s most complex urban environments, bringing with it a host of new social problems. Episode Two reveals how the city’s artists, innovators and leaders, from poet Walt Whitman to Frederick Law Olmsted and Calvert Vaux (the designers of Central Park) grappled with the city’s growing conflicts – which culminated in the catastrophic Civil War Draft Riots of 1863.
Sunshine and Shadow (1865-1898)
Now the spotlight shines on the growth, glamour and grief of New York during America’s giddy postwar “Gilded Age.” Exploring the incomparable wealth of the robber barons and the unabashed corruption of political leaders, such as Tammany Hall boss William M. Tweed, the episode examines the era when the expansion of wealth and poverty – and the schism between them – built to a crescendo. The program ends as the city itself dramatically expands its boundaries, annexing Brooklyn, Queens, the Bronx and Staten Island into a single massive metropolis – Greater New York.
The Power and the People (1898-1914)
As New York spilled into the new century, the extraordinary interplay of capitalism, democracy and transformation surged to a climax. During a single generation, over 10 million immigrants arrived in New York. The city itself became an even more dramatic lure with the construction of the first subways and skyscrapers. And arising from the plight of New York’s most exploited citizens came landmark legislation that would eventually transform the lives of all Americans.
Cosmopolis (1914-1931)
In this short but dazzling period, New York became the focal point of an extraordinary array of human and cultural energies, reaching its highest levels of urban excitement and glamour. In just over a decade, New York gave birth to its signature skyscrapers, the Chrysler and Empire State Buildings, and to artistic creations like F. Scott Fitzgerald’s THE GREAT GATSBY, George Gershwin’s “Rhapsody in Blue,” and to the jazz compositions of Duke Ellington and Louis Armstrong. Along the way, Harlem emerged as the undisputed capital of the African- American experience and the new media industries of advertising, radio networks, public relations, and magazines found their homes in midtown Manhattan.
The City of Tomorrow (1931-1940)
In little more than ten years, immense new forces were unleashed in New York, from the Depression itself to the New Deal, which permanently altered the city and the country. Along the way, two of the most remarkable New Yorkers of all time came to the fore: Mayor Fiorello La Guardia and master builder Robert Moses, both of whom attempted to create, in the darkest of times, a bold new city of the future. The episode examines their careers in detail, as well as the immense public works that transformed the city in the ’30s. Also explored are the demise of Mayor Jimmy Walker, the coming of the New Deal, the fate of Harlem during the Depression, and the increasingly complex impact of the automobile on the city.
The City and the World (1945-Present)
In exploring the social, economic and physical forces that swept through the city in the post-war period, Episode Seven examines the great African-American migration and Puerto Rican immigration of the ’40s, ’50s, and ’60s; the beginnings of white flight and suburbanization; and the massive physical changes wrought by highways and urban renewal – all of which were directed, to a surprising degree, by one man: Robert Moses. The film comes to a climax with the destruction of Penn Station, the battle over the Lower Manhattan Expressway, the social and fiscal crises of the ’60s and ’70s, and New York’s miraculous revival in the last quarter-century.
幕后花絮
Intimations Of Mortality - Empire State Building Crash
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Interview With Ric Burns
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Selected Interviews
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